Joanna Lumley's Japan

The three-part series begins with a surprising scene designed to confound all our expectations of the land of the rising sun. Heavily clad in a fake-fur coat and travelling across a pristine white expanse carpeted in snow, Lumley looks for all the world as if she’s escaped from doctor Zhivago. She’s on the northernmost of the four main islands of Japan, Hokkaido, where she braves the cold and gets out of bed at 4am to witness the magnificent sight of red- crested cranes gathering in their hundreds. Then it’s off to Sapporo, and the marvels of the city’s annual snow festival, at which this year the star attraction is a more or less full-scale church that’s been painstakingly sculpted over the course of a month by an army of volunteers – members of the Japanese Defence Force, whose committedly non-aggressive stance moves Lumley to a paean to peace-loving hippy ideals. Who knows what havoc her ethos would wreak in diplomatic circles?
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